Broadway’s “dance revues” in which the choreography does the heavy lifting.

Q&A with Ohio State Murders Tony nominated lighting designer

Capsule Review

November brings a slot of new musicals and unique theatrical offerings

Performances begin January 10, 2023

Phylicia Rashad, Jeffrey Richards, Molly Ringwald, Michael Rupert, Matthew Byam Shaw, Phillipa Soo, Richard Thomas

Eric McCormack, Ian McShane, Jessie Mueller, Casey Nicholaw, Kelli O’Hara, Stephen Pasquale, Austin Pendleton, Neil Pepe, Kenneth Posner, Zachary Quinto

Kerry Butler, Brian Cox, Bryan Cranston, Michael Feinstein, Santino Fontana and Julie Halston

WATCH FOR MEMORIES FROM THEATRE COLLEAGUES THIS WEEK!

Directly on the heels of her Cost of Living Broadway debut this month, we were lucky enough to snag a few minutes with this celebrated writer and pick her talented brain to learn more about what inspires Majok.

Capsule Review

By Robyn Roberts

We’re ready to step out for New York’s hottest shows

We wish you a Happy New Year from Broadway’s Best Shows.

My favorite part of theater is rehearsal and tech when the play emerges. Thrilling! – Blair Brown

We were fortunate enough to speak with Elizabeth Ashley and ask her “Twenty Questions with a Tony Award winner.”

Join us for John C. Russell’s Stupid Kids on Wednesday, September 22nd!

We can’t wait to have you join us for our presentation of Show of Titles streaming from Sunday, June 13 at 7pm EST to Thursday, June 17 at 4pm EST.

We’ve created a Spotify playlist of some classic title songs you can expect to hear during the show.

In high school, when the Drama department was putting on a new show, the school would block out an entire day’s worth of English class periods to be spent in the auditorium watching the ‘preview’ of that show.

Most people think I’m from New York, especially after years of singing all of those sophisticated show tunes, in Nightclubs and on Broadway and always in a well cut suit. But truth to tell, I’m from Columbus, Ohio and I learned all the classic show tunes from afar, never dreaming I’d have a personal association with the Great White Way and experience the genuine endorphin rush of playing multiple times on Broadway.

She stopped me with this gem of a lesson, “Why are you apologizing to me?? Stop it. Are you sorry for having a question? Do you ever notice how women are the only people who apologize for asking something? It’s ridiculous…

It’s unpredictable, sometimes even unreliable, but it’s in that unknowing that makes theater a place where the most interesting and wonderful things can happen. And it’s radical. People are affected differently when you put yourself out there in front of them.

Broadway’s Best Shows is proud to present Show of Titles, a musical extravaganza with dozens of Broadway stars performing the title songs from over 20 beloved musicals to benefit The Actors Fund.

One of my favorite things about working in the theater is how fiercely present it forces us all to be. How much courage is required. And what discoveries spring from that.

It was a wonderful opportunity to explore Lillian Hellman’s classic play with such a dream cast as part of this series of online performances.

In my first 10 years or so in New York, I concentrated on being a performer and I wasn’t really aware that I wanted to direct – but I’d subconsciously absorbed the shows and experiences where the staging had a big influence on me.

In 1981, I was in my last year of high school in the suburbs of Toronto. I’d done a bunch of musicals in theatre class (Godspell, Pippin, Fantasticks) but never worked professionally.

So I’m known for being rather enthusiastic in rehearsal rooms, and the energy of this season was apparently really sending that enthusiasm into its extremes – hah!

So he asked me to come to a callback audition a few days later. At which I totally bombed. I’d never heard of a callback.

On the night of February 1, 1979, I stood in the vom of Circle-in-the-Square on Broadway, terrified.

About 6 minutes into the evening I noticed that sitting on front row…in…the middle…to my right was my ex girlfriend.

Pearl Cleage on “Naked Wilson” and her thoughts on intersectionality in theatre.

frequently asked questions

Double Tony nominee Dede Ayite on how her costumes tell stories

Heather Gilbert reflects on “The Sound Inside”

Will Hochman interviews Adam Rapp

Daniel Kluger discusses “The Sound Inside”.

Keepers of the “Dream”: The men who portrayed MLK on The Great White Way

Normally when we celebrate our history or historical figures, they are people of the past who have done amazing things to help build our society to where we are today. There are also those that we watch make history as they live their lives. One of those history makers is Broadway’s longest running African American Press Agent and Producer Irene Gandy.

Though 45 Years Have Past, “The First Breeze of Summer” continues to be a Timeless American Play

The Broadway production of Tartuffe, at Circle in the Square, in 1978 was something that set me on an unthinkable trajectory of success.

The role that escaped me – one that I would have loved to play. It’s a play I’m pretty sure hasn’t been written yet. There are significant roles for Vinie Burrows and for me. I’ve met Vinie only a couple of times and seen only a little of her work.  But she impresses me, and […]

The acclaimed musical event will stream beginning Monday, February 15 at 7:30pm ET with all proceeds benefitting The Actors Fund.

“Scholars have speculated that Charles Dickens’ 1843 holiday classic may be the ‘most adapted’ text in the English language.” – Katie Birenboim

“Although it wasn’t identified then as such, Broadway got its first Christmas song on Oct. 13, 1903. In the 117 years since, the sweeping swirl of Victor Herbert’s “Toyland” from Babes in Toyland has come to epitomize the joyful spirit of the season.” – Harry Haun

“When someone discovers that I am an actor, at some point I am often asked, ‘How do you remember all those lines?’ I sometimes wonder myself.”